contrapuntal$16383$ - translation to ελληνικό
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contrapuntal$16383$ - translation to ελληνικό

RELATIONSHIP BETWEEN MUSICAL VOICES THAT ARE HARMONICALLY INTERDEPENDENT (EXHIBITING POLYPHONY) YET INDEPENDENT IN RHYTHM AND CONTOUR
Counter Point; Contrapuntist; Contrapuntal; Counterpount; Contrapuntally; Dissonant counterpoint; Species counterpoint; Contrapuntal forms; Contrapunctus; Contrapunctal; Counter points; Imitative counterpoint; Free counterpoint; Strict counterpoint; Contrapuntal Forms; Linear counterpoint; Quadruple counterpoint; Gebundener Stil; Pricksong; Contrapunctal Forms
  • Example of an ascending double neighbor figure (with an interesting tritone leap at the end) against a cantus firmus
  • Example of a double passing tone in which the two middle notes are a dissonant interval from the cantus firmus, a fourth and a diminished fifth
  • center
  • Bach 3-part Invention BWV 795, bars 7–9
  • Bach 3-part Invention BWV 795, bars 7–9
  • Beethoven, Symphony No. 9, finale, bars 116–123
  • Beethoven, Symphony No. 9, finale, bars 116–123
  • Beethoven Piano Sonata Op. 90, first movement bars 110–113
  • Beethoven Piano Sonata Op. 90, first movement bars 110–113
  • Example of "third species" counterpoint
  • Example of a descending double neighbor figure against a cantus firmus
  • ''Gradus ad Parnassum'' (1725) by Johann Joseph Fux defines the modern system of teaching counterpoint
  • Mozart Symphony No. 41 Finale, bars 389–396
  • Mozart Symphony No. 41 Finale, bars 389–396
  • Wagner Meistersinger Vorspiel bars 158–161
  • Wagner Meistersinger Vorspiel bars 158–161

contrapuntal      
adj. αντιστικτικός, συναρμονισμένος

Ορισμός

Contrapuntal
·adj Pertaining to, or according to the rules of, counterpoint.

Βικιπαίδεια

Counterpoint

In music, counterpoint is the relationship between two or more musical lines (or voices) which are harmonically interdependent yet independent in rhythm and melodic contour. It has been most commonly identified in the European classical tradition, strongly developing during the Renaissance and in much of the common practice period, especially in the Baroque period. The term originates from the Latin punctus contra punctum meaning "point against point", i.e. "note against note".

In Western pedagogy, counterpoint is taught through a system of species (see below).

There are several different forms of counterpoint, including imitative counterpoint and free counterpoint. Imitative counterpoint involves the repetition of a main melodic idea across different vocal parts, with or without variation. Compositions written in free counterpoint often incorporate non-traditional harmonies and chords, chromaticism and dissonance.